Having read this novella a few days after A Stranger in Olondria, I must confess being predisposed against the Executioness simply because it lacked the beauty of language present in A Stranger in Olondria.
While I enjoyed reading the novella, there were parts that made me struggle to enjoy it. The concepts were compelling – the role of women in life, politics and power; the consequences of magic and the resulting political pressures; the personal cost of geopolitical struggle; tragedy as a motivating force – and I was very excited to see them explored. However, the execution of these concepts often cooled that excitement.
I found Tana’s perspective unconvincing. However, the dialogue of other characters also frequently thrust me out of the story, even though I enjoyed the characters and found them acceptable. Additionally, the story proceeds at a breakneck pace, with little description or evocation of the world. Whether that is a net positive or negative is a matter of preference for the reader, but the chosen style inhibited my ability to feel the world and be immersed and take it seriously. It also resulted in some plot hole moments. There was also a general absence of believable human reactions that struck me as quite odd in several moments.
P.S. The concept of the bramble and its relationship to magic brought to mind Larry Niven’s short story “The Magic Goes Away”, a 1976 story / 1978 novella investigating the consequences of magic. I am excited to read another story that explores the consequences of magic.
Obligatory Kindle Notice!